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View of the buildings at the entrance of the city of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 5
Francesco Piranesi
1804
Jupiter, from "Classical Statues in Rome"
Francesco Piranesi
1781
Veiled woman with buskins, thought to be Melpomene, from "Classical Statues in Rome"
Francesco Piranesi
1782
Ganymede, from "Classical Statues in Rome"
Francesco Piranesi
1781
Niobe, from "Classical Statues in Rome"
Francesco Piranesi
1784
A dancer from a Bacchanalian Festival found in the ruins of Pompeii
Girolamo Carattoni
1787
Mercury and Psyche, from "La fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Title page, from "Trofei di Ottaviano Augusto innalzati per la vittoria ad Actium e conquista dell'Egitto con vari altri ornamenti antichi disegnati ed incisi da Cavalier Go. Batta. Piranesi" (Trophies of Octavian Augustus erected to commemorate the victory at Actium and the conquest of Egypt with various other ornament drawn and etched by Cavalieri Gio. Batta. Piranesi)
Francesco Piranesi
printed ca. 1780
Temple of Sibyl in Tivoli, now called the Church of S. George, tavola 13 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Venus and Psyche, from "La Fable de Psyché", Villa Farnesina, bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Five different friezes, which bring together whims, taste, and the beautiful imitation of the antique, plate 8 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
Statue of a Philosopher in a pallium, thought to be Zeno of Elea, from "Classical Statues in Rome"
Francesco Piranesi
1782
Hinges, pins, studs, and various pieces of door fittings in Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 21
Francesco Piranesi
1805
Marble bas-relief of a ceremonial fire, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1786
Venus in her chariot, from "La Fable de Psyché, Villa Farnesina", bound with "Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Chambers of Jules II in the Vatican by Raphael, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli
1804–07
Front view of the column of Marcus Aurelius, from six plates
Giovanni Battista Piranesi
1774–79
Plan and cutaway of the Hypogeum of the Scipioni, tavola 1 from "Monumenti degli Scipioni" (Monuments of the Scipios)
Francesco Piranesi
1785
Interior view of the first Tavern to the right of the street in the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 32
Francesco Piranesi
1804
Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto
Giovanni Battista Piranesi
1761–1809
Large illustration of a part of the first order of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
(XXIV) Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); (XXV) Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1803); Peintures du Cabinet de Jules II, au Vatican de l'Invention de Raphael, Recueillies par les Piranesi, et Dessinées par Thomas Piroli, Paris (Pietro and Francesco Piranesi and Leblanc) and Rome (Piroli) (1804); La fable de Psyché; (XXVI) Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807)
Tommaso Piroli
1803–07
The River-God, Nile, from "Classical Statues in Rome"
Francesco Piranesi
1791
Three fragments including a capital from Hadrian's Villa, Tivoli, and a Funerary urn, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
Ornamental tripod and two vases, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Francesco Piranesi
1778–80
Depictions of helmets from Trajan's column
Giovanni Battista Piranesi
1774–79
Plate XIV: detail of spiral relief with Victory inscribing a shield in the centre surrounded by trophies of the Dacians, the Samatians and other allies, from two plates
Giovanni Battista Piranesi
1774–79
A semi-nude dancer found in the ruins of Pompeii
Girolamo Carattoni
ca. 1787
Illustration of the various ornaments of the Temple of Vesta, which include the symbols of Vesta, tavola 7 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Illustration of the front the Temple of Vesta in Tivoli, tavola 3 from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Large illustration of a part of the Portico of the Pantheon, from "Raccolta de'Tempi Antichi, Prima Parte" (Collection of Antique Temples, First Part)
Francesco Piranesi
ca. 1750–80
Illumination of the Cross in St. Peter's
Francesco Piranesi
1758–1810
Neptune lovingly embraces the contours of his dear Thetis (Neptune enlace de ses bras amoureux les contours de sa chère Thétis), from "Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi" (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 12
Tommaso Piroli
1807
Cookware of different formes at Pompeii, from "Antiquités de la Grande Grèce, [...] Contenant les Usages civils, militaires et religieux" [...] (Antiquities of the Great Greece [...] Containing the civic, military and religious wares), volume 1, plate 14
Francesco Piranesi
1806
Illustration of the side of the theater, and the stage, cross-sections of the stairs, which go up to the Vomitoria, tavola 5 from "Il Teatro d'Ercolano" (The Theater at Herculaneum)
Francesco Piranesi
1783
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde.
Francesco Piranesi
1801–2
Friezes with the figures of Jupiter and Minerva raised up in the middle of the scroll pattern, with alternating Nymphs and Geniuses, plate 9 from "Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli" (Paintings from the Sala Borgia in the Vatican by Raphael)
Tommaso Piroli
1803
Plan of the Tuscan Atrium with its construction, adapted to the House of the Surgeon inside the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 17
Francesco Piranesi
1804
View of the eighteen side columns, drawn from the side opposite those shown in the first plate...(Basilica), plate 4 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778
Plan of the Course of the Water in Lago Fucino
Francesco Piranesi
ca. 1790
View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof..., plate 16 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)
Giovanni Battista Piranesi
1778